Revenge of the ‘Gleeks’ Bianca Consunji Philippine Daily Inquirer
October 16, 2009
EVERYONE’S TALKING about “Glee,” the new comedy-drama about a high school choir, which has made it cool again to like musicals. But don’t take it as a straight-to-TV ripoff of shows such as “High School Musical.” “Glee” is not your candy-coated Disney fare.
Like many teen sitcoms, it has the high school stereotypes: popular jocks and cheerleaders, nerdy outcasts, overachieving know-it-alls. It also has the teen issues—unwanted pregnancy, ostracism and homosexuality. But far from being preachy and predictable romp through high school, “Glee” appeals to just about everyone simply because it keeps it real—with a wicked sense of humor.
And, there’s also the music.
In only a month, “Glee” has managed to snatch the attention from “True Blood” and “Gossip Girl.” Its unexpected popularity skyrocketed as teens and adults watch out for new episode every week since it started airing in September.
The New York Observer echoed the sentiments of early skeptics—“We really found ourselves falling in love with ‘Glee.’ If you would have told us in May [when the teaser episode was aired after ‘American Idol’] that we’d be legitimately excited to see where this series goes over the course of season one, we’re not sure we would have believed you.”
The success of “Glee” can primarily be attributed to its music. Fresh arrangements of familiar songs showcase stunning vocal performances and fun-to-watch dance numbers. An even bigger hit on iTunes than it is on TV, “Glee” is responsible for reintroducing classic pop and Broadway tunes among younger viewers. (Recently, 10 songs from the “Glee” soundtrack were on the iTunes top 200 downloaded songs, and earned four spots on the Billboard Hot 100.)
And to differentiate it from “High School Musical,” which banked on danceable pop tracks, “Glee” doesn’t stick to one genre.
Recent songs include Journey’s “Don’t Stop Believing,” Queen’s “Somebody to Love,” “Maybe This Time” from Cabaret, Kanye West’s “Gold Digger,” and Heart’s “Alone.”
Last week’s episode had the boys doing an excellent rendition of Bon Jovi’s “It’s My Life” combined with Usher’s “Confessions Part II,” while the girls sang an upbeat “Halo” by Beyoncé interspersed with “Walking on Sunshine” by Katrina and the Waves.
Guest stars such as singers Josh Groban and Kristin Chenoweth gave it added wattage. But even the young, relatively unknown performers are becoming popular because they can sing.
The music’s definitely got people talking. “I love the fact that they got real singers and actors, professionals and newbies alike,” says EJ Pepito of the UP Concert Chorus. “The bottom line is, it’s all about talent! I love the fact that the characters are imperfect and real. I also love their song renditions—bongga!”
Fellow choir member Anapet Miclat says, “I love that I see it reflecting real-world-school’s priorities—athletics over the arts. So schools out there, notice your arts programs. It’s the breeding ground of high-caliber talents!”
Student Margaux Mateo says, “It’s like watching ‘Mamma Mia,’ but this time as a various artists compilation.” Graphic designer Jed Segovia said it more simply: “It’s ‘High School Musical’ done right.”
"Glee” fans are so enthusiastic about the show, a large group of fans call themselves “Gleeks” even after just seven episodes—and there’s so much more to look forward to. In the coming weeks, more musical guest stars are expected. Whitney Houston reportedly declined to appear, but rapper Eve didn’t.
The possibilities are endless, but it’s probably safe to assume that in the coming months, people will randomly break out into song.
